Toutes peintures ā l'huile d'Poynter, Sir Edward John
ID Image Painting(From A to Z)    Details 
28315  
Poynter, Sir Edward John, A Visit to Aesculapius
  		 A Visit to Aesculapius   1883 Oil on canvas 151.1 x 228.6 cm (59 1/2 x 90 in) Tate Gallery London (mk63)
19931  
Poynter, Sir Edward John, A Visit to Aesculipius
  		 A Visit to Aesculipius   Poynter, Sir Edward John
19932  
Poynter, Sir Edward John, Cave of the Storm Nymphs
  		 Cave of the Storm Nymphs   1903 Oil on canvas Private collection
86984  
Poynter, Sir Edward John, Cave of the Storm Nymphs
  		 Cave of the Storm Nymphs   1903(1903) Medium Oil on canvas cyf
19930  
Poynter, Sir Edward John, Chloe, Dulcis Docta Modos et Citherae Sciens
  		 Chloe, Dulcis Docta Modos et Citherae Sciens   1893 Oil on canvas
76306  
Poynter, Sir Edward John, Diadumene
  		 Diadumene   Oil on canvas, 20 x 20 in, Location: Royal Albert Memorial Museum, Exeter Date 1884 cyf
84725  
Poynter, Sir Edward John, Funchal Morning Sun
  		 Funchal Morning Sun   1877(1877) Medium oil on canvas cyf
19929  
Poynter, Sir Edward John, Israel in Egypt
  		 Israel in Egypt   Oil on canvas Guildhall Art Gallery, London
28173  
Poynter, Sir Edward John, Peacock Frieze (detail)
  		 Peacock Frieze (detail)   1866 Paint on Minton blank tiles 111.75 x 63.5cm(44 x 25 in)Grill Room,Victoria and Albert Museum,London (mk63)
Poynter, Sir Edward John
English Classicist Painter, 1836-1919 English painter, draughtsman, decorative designer and museum official. He came from an artistic family: his great-grandfather was Thomas Banks the sculptor, and Ambrose Poynter, his father, was an architect and watercolour painter. Edward began studying art in 1852 under Thomas Shotter Boys, a friend of his father. In 1853-4 Poynter visited Rome, where he was greatly impressed by the large-scale academic painting of Frederic Leighton. Returning to London, he studied at Leigh's Academy and the studio of William Dobson (1817-1898). Poynter entered the Royal Academy Schools in 1855 but his admiration for French painting led him to Charles Gleyre's studio in Paris the following year. He remained there until 1859, with fellow students George Du Maurier, Thomas Armstrong and Whistler; their activities are described in Du Maurier's novel Trilby (1894). At this time Poynter received his first commissions for decorative work. He began designing stained glass and painting furniture and, after his return to England, he was employed by his friend the architect William Burges to decorate the ceiling of Waltham Abbey, Essex, in 1860.



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